AN
ESSAY ON:
he Place of Enchantment: British
Occultism and the Culture of the Modern,
by Alex Owen, The University of
Chicago Press, 2004
By Papa Nick
The Occult
revival that blossomed at the end of the 19th Century in England has
gotten very little respect. Social historians, if acknowledging
it at all, have viewed it as an aberration, a flight from reason at a
time when a rigid materialistic world view was shaping the
society-to-come of the 20th Century. The pursuit of mysticism,
and the study and practice of magical arts, flew in the face of the
march of progress towards a wholly secular society where trust in
technology replaced faith in "God's Plan".
Alex Owen,
professor of history and gender studies at Northwestern University, has
in The Place of Enchantment legitimized the "new occultism" of the
1890s as, not a reversion to superstition, but an influential cultural
force that sought to redefine the definition of "self" for the modern
era. Focusing in-depth on the activities of the Second Order of
the Hermetic Order of the Golden Dawn, and to a lesser extent on the
Theosophical Society and Hermetic Society, she illuminates the
influence these organizations had on the intellectual avant-garde of
the time. Unlike more phallocentric researchers, she emphasizes
the monumental contribution made by women to the growth and development
of these organizations -- Florence Farr, Annie Horniman, Moina Mathers,
Anna Kingsford and Annie Besant, in particular.
What is most
refreshing about Owen's study is that, although not an occultist
herself, she gets it. Her description of the astral experiments
of the Second Order initiates, for example, is never condescending or
skeptical. She takes the magical diaries she has studied at face
value, never casting doubt on the sincerity of her subjects.
There are
parts of the book, mainly the first and last chapters, that can be
tough going for anyone who is not a graduate student. Owen is,
after all, a professor pleading her case to fellow academics.
Fortunately, though, the bulk of the book is a concisely written and
exhaustively researched history of the "new occultism" of the late
19th/early 20th centuries, and its impact on progressive thinkers in
arenas such as science (psychology) and art (Surrealism). Perhaps
a hundred years from now, a professor at Moon Base University will be
penning a study of the impact of Maat and Chaos Magicks on the social
milieu of this century!
Crowley is not
given short-shrift in this volume: an entire chapter, one pivotal to
Owens' argument about Magic's role in redefining of the concept of
Self, is devoted to Crowley's and Neuburg's evocation of Choronzon in
the Arabian desert. Professed Thelemites might not agree with her
conclusion -- that Perdurabo's decision to use himself as the vessel
for the demon's manifestation did not result in an unification of his
Higher and Lower selves as Crowley claimed, but left him thereafter a
puppet to unresolved conflicts in his subconscious. Whichever is
the case, she credits Crowley for being a heroic figure, albeit a
tragic one, in the modern search for an integrated self. (A long
excerpt from this chapter is posted at
www.press.uchicago.edu/Misc/Chicago/642011.html).
There are more
comprehensive histories of the Golden Dawn in other volumes, but
perhaps none that so successfully extend the significance of that
Order's efforts to the world beyond the Vault of the Adepts. This
book is at least worthy of a library loan for those interested in the
impact Magick can have on the evolution of consciousness and
civilization.