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Actions and Re-Actions

by Lupa


One of the most valuable tools available to the modern magician is conscious evolution of the self.  Through our magic, as well as auxiliary studies in psychology and other disciplines, we learn through practice to map out our psyches and to more fully “Know Thyself”.  The more we know, too, the more power we have to consciously change what is there to better suit who we really want to be.  We find that we are not merely slaves to our biology or our conditioning, but instead are in control of our own destinies, as it were.  The practice of magic allows us to explore this newfound power, a power that is more impressive than being able to make a candle light itself, or manifest a spirit into this reality for a short period of time. 

However, conscious evolution doesn’t just involve knowing your traits and being able to point at yourself and say “Hey, this is me!”  It also deals with the individual decisions that we make from moment to moment.  You cannot truly be aware of yourself if you are only aware of your components; you must also be mindful of your sphere of influence and how you interact with and affect the world around you.  “Know thyself” is macrocosmic as well as microcosmic.

Too often we re-act instead of consciously acting.  Let’s look at the meaning of the verb “to react”.  We have an action as the root, which is what we’re primarily concerned with creating.  However, there’s that pesky prefix, “re-”.  It usually gets overlooked because people tend to think of “react” as one word, when in actuality it is two all squashed together.  I’m normally not a huge fan of hyphenating words [1], but in this case re-act says a lot to me in its individual pieces. 

When we re-act, we are acting in a manner that we have used before.  While it isn’t necessarily the best way to act given a certain type of stimulus, it’s one that worked at least somewhat satisfactorily before, enough that it at least imprinted in our behavior to become the dominant action when similar situations arose.  Generally speaking, though, a re-action is done without thought—how many times have you heard someone say (or said yourself) “Oh, sorry, I wasn’t thinking—I just reacted!”  Sometimes it’s not a huge deal, for example, startling someone by accident and having them jump and yelp as a re-action.  However, too often we let our emotional re-actions dictate how we deal with the Multiverse and all its components.  I lost track a long time ago of all the times when I got into fights and arguments with other people both in person and online because I re-acted, allowing my passion for a certain subject, and my ingrained opinions about these things, dictate my response. 

Flame wars and drama, unfortunately, are the bane of the internet and the latter often spills over into real life as well.  Almost all of it is fueled by people re-acting in a certain way because they’re conditioned to do so.  You have the person who may deliberately start the fight, either because their re-action, when confronted with something they don’t agree with, is to ridicule it.  Then you have numerous people on all sides of the debate that ensues who re-act to the initial insult and dogpile onto the original poster.   This, of course, isn’t limited to the internet.  I often have spoken without thinking, and hurt people’s feelings without really intending to because of what I said and/or how I said it.  Rarely have I ever intentionally tried to hurt people’s feelings, but sometimes my opinions are harsh enough that they can be abrasive to others, and it’s only after the fact that I realize this. 

Even in our romantic and other relationships, re-acting can cause more trouble than it’s worth.  One thing I am very grateful for when it comes to my husband, Taylor, is the fact that we’ve learned to communicate quite well.  However, on more than one occasion we’ve caught ourselves in the process of trading re-actions, which just escalate the situation.  Once we’ve realized what’s going on, we’re able to take a step back and start actually communicating based on the present situation, rather than relying on pre-programmed re-actions. 

Deprogramming your re-actions can be a little (or a lot!) like the process of saving yourself if you happen to be on fire.  Remember when you were a kid and the fireman came to your class and told you how to put out a fire on your clothing/hair/body/etc.?  There were those three magic words—stop, drop and roll—and they apply here as well.

STOP:  The first thing you have to do is to cease the pattern of behavior that causes you to re-act.  This means that you need to pay attention to your thoughts and actions from moment to moment.  We’re not really conditioned to do that; most people tend to go through life on autopilot because it’s easier that way.  But once we realize what we’re doing we can actively choose to not take that course, and instead go with a better one.

DROP:  Next, drop the re-action.  If you just pick it up again (ie, let the flames keep burning), you’re not going to get much of anywhere.  One thing I’ve started doing is delaying posting responses to harsh emails, or forums, and so forth.  I may allow myself to write out what’s on my mind right that moment, but at the end, after I’ve read it over a couple of times, I ask myself, “Is this really worth sending?  Will it accomplish anything other than stirring up even more trouble?”  The same thing goes for real-time interactions.  If I’m seriously angry with Taylor, I often go and take a walk to cool down. I might rant to myself as I’m walking about how pissed I am, and what a wanker he is, and how I can’t believe I married this guy, and all that.  But once I’ve gotten the irrational, exaggerated emotional re-actions out of my system, I turn around and on my way back home I start thinking about what I actually want to say.

ROLL:  Finally, come up with a new action instead of the re-action.  In our “Oh my god I’m on fire!!!” example, it means that instead of doing what your first impulse to do is and run like hell, roll on the ground until the flames are put out.  Sometimes the best action is no action at all.  There are numerous times that I’ve found that just ignoring a flame war makes it die out more quickly, or that telling someone what I really think of them probably wouldn’t amount to anything more than even more drama.  Other times, its best to really think out what I want to say or do, rather than going with the first thing that comes to mind.  After all, once something is done or said, you can’t take it back. 

And that’s where we get into conscious actions.   It’s important to weigh all the potential consequences and possibilities.  Sometimes a little more research is called for, which can involve anything from a trip to the library to talking to people on the Other Side of the Debate to try and get the whole story.  Next, you have to try to divine what the result of a certain action may be, and whether it’s really worth it.  Don’t let your emotions overrule you here—you may be pissed off at so-and-so, but what good will it do to come in swinging?  It may be much more productive to compose a calm, thoughtful response that makes your point while still being respectful.  Even if the other person still blows up, at least you had better control of yourself. 

“Stop” is probably the toughest step; once you’ve stopped it’s a lot easier to drop the re-action and roll out a new, conscious action.  There are a number of ways you can help aid this stopping.  My friend Nick Graham suggested putting a rubber band around your wrist and snapping yourself every time you perpetuate a bad habit.  This serves to help create a connection between the habit and that small bit of pain, just enough to make you think twice the next time. 

However, you can also use more magical methods.  Try creating a servitor that (figuratively) taps your shoulder when you start to replicate a certain re-action.  Try designing it to be terrifying to scare you out of your habit.  Or, if you prefer working with pre-created entities, think of those that are associated with watchfulness.  Since I work with totem animals quite a bit, I might call on a raptor, such as Hawk or Eagle, to help keep sharp eyes on me. 

Or you might evoke a construct that symbolizes that particular pattern of behavior and then ritualistically destroy it.  Think of all the excuses you have to continuing to re-act—“But I’ve always done it this way!”  “But this is just the way I am!”  “But s/he started it!”  Make them into one huge supersigil that represents the entity within you that perpetuates those excuses.  Evoke the entity using the supersigil, and then slaughter it.  If you find remnants of it sneaking back, visualize the moment of destruction all over again, and banish as necessary.

And retroactive magic can be used to recircuit yourself.  Think of the the first time, or the earliest time you can remember, when you created that negative action leading to subsequent re-actions.  Come up with what would have been a better choice for that particular situation.  Then, in ritual, relive that moment and change the ending.  Do this for a number of individual situations related to the same re-action, each one with its unique conscious action, to help break the hold of the re-action on you. 

The trick is finding a way to psychologically flip your own triggers for the better—in this case, having control of the on/off switch for a re-action.  It’s frighteningly easy to fall into the same old patterns over and over again, and not even realize it.  However, with enough effort you can break your re-actions and replace them with individual conscious actions tailored for each situation as it presents itself.

[1]  For a particularly amusing look at the overhyphenation, particularly within the New Age community, check out John Sacelli’s article “The Alpha Bet – a Humourous Parable (Hue More Us Pair-Able)” in his Shaman’s Lynx column, Moon Shadows magazine, issue #31.

Lupa is a twenty-something pagan and experimental magician in Seattle with her husband, fellow author and partner in strange deeds, Taylor Ellwood.  They share their home with a cat, a lizard, and too many books and art supplies.  Lupa is the author of “Fang and Fur, Blood and Bone: A Primal Guide to Animal Magic” as well as several forthcoming titles; you may find out more about her and Taylor at http://www.thegreenwolf.com.