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POPULAR OCCULTURE
Reviews


Editor's note: This will be a regular feature in Silver Star Journal. Any and all readers are encouraged to submit reviews that they feel pertain to the magickal community. We also actively seek publications of all kinds for review in this space. Send submissions (or requests for a snailmail address for review books and mags) to:  aion@psychicsophia.com

In this Issue we have reviews by:



Reviews by Shade Oroboros


TSOG: The Thing That Ate The Constitution by Robert Anton Wilson, New Falcon 2002, 216 pages, illustrated.
Robert Anton Wilson Explains Everything, Sounds True 2001, 6 hours on 5 CDs.

   The book is clearly a collection of political website postings, as were a couple of his later works when his health problems slowed him down. The CDs are live lectures and conversations that show his vast humor, range of interests and style. They are of course great, but that’s not the point, he was always great… the point is that Bob has passed on, and I’ll miss the hell out of him. Author, futurist, magician, playwright, social philosopher, stand-up comic and all-around great soul, RAW was one of the great voices of our time and he genuinely touched millions of lives. His best sellers include the classic trilogies Illuminatus! (written with Robert Shea), Schrodinger’s Cat, Historical Illuminatus and Cosmic Trigger 1, 2 & 3, along with dozens of other wide-ranging works both factual and fictional. They inspired me every time, kicked up my rate of synchronicities and changed my life for the better. I am happy to say I got to hang out with him a few times, and he really was a very nice guy (and one who liked to party). I cannot even begin to count how many people of all types and ages I have met over the years who were somehow familiar with him, enthusiastic about his writing and positive visions of the future, and often sharing his moral outrage against idiocy and injustice. One way or another, he has earned both his many awards and his immortality.


A Brief Hirstory of Time/emiT fo yrotsriH feirB A: An Arachnean Grimmoire of Time and Fate by Orryelle Defenestrate-Bascule et al. iNSPiRALink Multimedia Press 2006. 164 pages, illustrated, color insert.

   Our good friend and contributor Orryelle is a wild musician, creative magician, world traveler, painter, sculptor and skin artist deeply involved with experimental theater and various arcane orders. This new edition of his remarkable book collects and interweaves artworks and texts, truths and speculations about the nature of time and reality and magick, the Norns and Fates, spiders and sphinxes, runes and ravens, tantrik practice and tarot images, shamanism and science and sexuality, the mysteries of the Double Current, Hindu, Greek, Norse, Egyptian, Vodou and other mythologies, all merged into a multi-dimensional magical mélange that (like the works of Kenneth Grant which he often references) is almost impossible to describe but quite powerful to experience. The 2-hour DVD that accompanies the book presents several live performances, which bring his mytho-poetic concepts into several other dimensions. This is cutting-edge stuff.
   His journal SilkMilk has been previously reviewed in this column and his website is http://www.crossroads.wild.net.au/index.html


Real Alchemy: A Primer of Practical Alchemy by Robert Allen Bartlett, Quinquangle Press 2006, 211 pages, illustrated, indexed, bibliography.

   Real Alchemy from a real alchemist, trained both academically and at the famous Paracelsus Research Society by Frater Albertus, with a career as an industrial and analytic chemist. Opening with a lucid overview of the elegant alchemical cosmology, he proceeds to explain what the purveyors of the psychological school of alchemical interpretation are missing: the actual processes of creating plant medicines and mineral transformations, as the enlightened individual can practice them safely at home.  Medieval experiments may have had their hazards, their fires and fumes; the newer technology of modern science has made things considerably easier than they were back when puffers were still blowing up apprentices. The author explores and explains many of the classical authorities, and while he does not slight the mystical or psychological aspects he does bring the emphasis back where it belongs, to genuine alchemical practice: How To Do It! I’ve actually seen this scholar’s labs and the results of his lifetime of work, and I for one am seriously impressed.


The Secret Symbols of the Dollar Bill: A Closer Look at the Hidden Magic and Meaning of the Money You Use Every Day by David Ovason, HarperCollins 2004, 192 pages, profusely illustrated and footnoted.

   Did you know that the $ sign was drawn from the biblical tale of Moses and the brazen serpent, via the alchemical healing sigil of a crucified snake and the iconography of the god Hermes/Mercury? That our dollar bills (and the Great Seal of the United States upon them) form a complex occult network of astronomical lore and numerological alignments, based on the constellation Lyra and numbers including 3, 7, 21, 13, 33 and 72? That they both were evolved out of the Classical, Christian, Medieval and Egyptian symbolism beloved by our Freemasonic founding fathers? That our motto ANNUIT COEPTIS is drawn from a pagan prayer to Jupiter from Virgil’s Aeneid, and that his sacred bird the Eagle is a symbol of the pentagram? That the Eye above the Pyramid may belong to Horus? The history of this ongoing evolution is both amusing and fascinating, and the implications of this talisman for money magicks alone are astounding…


Enochian Initiation: A Thelemite’s Magical Journey into the Ultimate Transcendence by Frater W.I.T., Outskirts Press 2006, 326 pages and bibliography.

   The secret records of genuine magi are always valuable. Prefaced by a well-written introduction to qabalistic magick in the G.D./O.T.O. lodge-work tradition and with extensive ritual material appended, this working records the visions of journeys through two rounds of evocations of the Enochian watchtowers. Crowley’s similar record The Vision & The Voice is of course well known, and this seer wisely makes no attempt to match him for poetry, but quite clearly and concisely presents his own initiatory experiences, flow of insights and personal evolution as a testimony to the potency of Thelema and to the transforming power of the strange Angelic language of Dr. John Dee’s Enochian calls and the strange universe they can unfold. Occult Science… “not just pretty words”.


High Magic: Theory & Practice by Frater U.’.D.’., Llewellyn 2005, 422 pages.

   A very thoughtful and substantial exploration of an eclectic modern system of magical practices influenced by Crowley and the Golden Dawn, Spare and Chaos Magick, and some lesser-known but important German sources. Includes clear and concise exercises and information on history and tools, beliefs and techniques including the development of the magical gaze. The author is well known as an influential early member of the I.O.T. and for his Secrets of Sex Magick, which is also excellent. I was fairly impressed, but I still want to see his rumored revelations of Ice Magick… inquiring minds want to know.


Religion and Magic in Ancient Egypt by Rosalie David, Penguin Books 2002, 488 pages, illustrated, glossary, indexed, bibliography.

   This book is a vast and entertaining treasure house of information with a selection of key texts, presented chronologically through the entire history and evolution of the pagan Egyptian civilization from prehistoric times up through the Graeco-Roman period. A major work by a major authority, full of insights and little-known details about the evolution of divine cosmology and ritual practice. Very highly recommended!


Eros on the Nile by Karol Mysliwiec, Duckworth & Co. 2004, 180 pages, illustrated, indexed, bibliography.

   I am obsessed with Egypt, and as my library has grown I have often enjoyed the translations of international scholars, German and French or as in this case from Poland: everyone has teams working in Egypt, so the sources from other languages often seem to bring up different details and perspectives. Here we focus on the sexual aspects of human and divine life including the theologies of the major gods, the cults of Osiris and the Apis bulls, the magical and royal powers and the daily life of the people. The Gods of Khem are complex and multifaceted, and the more ways you find to discover them, the more they come alive.


Essential Asatru: Walking the Path of Norse Paganism by Diana L. Paxson, foreword by Isaac Bonewits, Citadel Press 2006, 204 pages, organization contacts, bibliography.

   An excellent beginner’s guide to Northern European legend, culture and lore by the noted fantasy novelist and author of Taking Up The Runes. Beginning with a concise and scholarly history of the origins and spread of the Germanic peoples, proceeding to an account of their gods and customs and magicks, outlining religious ritual in both ancient and modern forms, explaining the various retro-heathen Asatru groups, their core values and issues, their parallels to and differences from other neo-pagan traditions including Wicca, and ending with a guide to further study and the various organizations of modern times. One of the significant differences between the Norse and Celtic revivalists is that the Norse generally have a stronger emphasis on accurate cultural information and a firm basis in the surviving texts of the Poetic & Prose Eddas and the various folktales and sagas.


Hex and Spellwork: the Magical Practices of the Pennsylvania Dutch by Karl Herr, Hexenmeister. Weiser Books 2002, 144 pages, illustrated.

   Actually the plain folk are mostly German, and maintain traditions of very Christian folk magick and healing along with their best-known custom, the colorful Hex signs that decorate homes and barns. This is a simple and heartfelt introduction by a third-generation hexenmeister who discusses the power of prayer, verbal folk charms and herbal medicines, himmelbriefs (talismanic ‘letters to heaven’) and other practices, along with sincere and practical advice on life. A rare window into a surviving European form of spiritual working.


Grimoire Dehara: Kaimana by Storm Constantine, Immanion Press 2005, 186 pages, illustrated, with a much-needed glossary.

   Based on the popular Wraeththu series, presenting a fully realized mystical universe, a sacred calendar and even menus for feasts, along with a sigil system and arcane rituals devoted to a strange and vivid pantheon of androgynous hermaphrodite deities (hence largely non-dualistic). Can fantasy novels and role-playing games spawn magical systems as valid as any others? Chaos magick would certainly imply so. I may have some doubts about pagan gods who are created instead of “jest grew” yet all such spiritual concepts must ultimately first manifest in the mind of some individual, in this case a magical practitioner who clearly knows her stuff and has worked with her creations until they came alive. And any grimoire requiring chocolate eggs and golden glitter must inevitably appeal to me. Thoughtful, poetic and heartfelt, although those unfamiliar with the six novels will need to master a new vocabulary.


Satanism Today: An Encyclopedia of Religion, Folklore and Popular Culture by James R. Lewis, ABC-CLIO, Inc. 2001. 369 pages, illustrated, index, bibliography.

    Most modern magicians pay little attention to Satan, having opted out of the limited Christian worldview in favor of the richness of Pagan or Syncretistic or individual paradigms of their own. There is a tendency to view Satanism as merely superstition, a neurotic obsession of damaged people, or as an occasionally embarrassing minor fringe element with almost no relevance to the occult revival. All this may be true enough, but the Devil has had a very long history in western culture and does still constantly turn up in, as the title says, Religion, Folklore and Popular Culture. This is a very readable and concise source of references to the many movements and cults and currents of thought, the literature and film and often rather dreadful music that are loosely related to our old friend the Original Rebel, including evenhanded accounts of Crowley and Chaos Magick and the SRA (Satanic Ritual Abuse) hysterical panic of the 1980s.


The Magical Universe: Everyday Ritual and Magic in Pre-Modern Europe by Stephen Wilson, Hambledon and London 2004, 546 pages, illustrated, notes, indexed, bibliography.  
   I have not completely read this book yet; it's way too damn big. But I grabbed one the instant it came out, since like most university press books the print run was probably pretty limited. Someday I will indeed find the time to finish it, but for now I am happy to browse and skim and surf through this astounding collection of history and beliefs related to people’s daily lives in their homes and towns and farms, through many dangerous travels, throughout the life-cycle from birth to death. There is much lore of weather and livestock, omens and healing and fertility, universal magical practices and secrets both Pagan and Christian, from Roman times through the witch-trials and on to our decadent era. Encyclopedic and fascinating!


The Arcanum by Thomas Wheeler, Bantam Books 2005, 325 pages.

   A ripping good tale, an occult thriller, an imaginary secret history of the early 1900s. Sir Arthur Conan Doyle, escape artist Harry Houdini, Vodou Queen Marie Laveau and a demented H.P. Lovecraft team up to battle a demonic conspiracy involving the fallen angels of the Book of Enoch, the upper and extremely lower crusts of New York society, encounters with Aleister Crowley and A.E. Waite, spiritualists and satanic cultists, various other celebrities of the time, and the obligatory climactic cinematic battle atop a train speeding out of control. This is a first novel from a career screenwriter and it reminds me of two other somewhat similar and also very juicy tales, The List of Seven and The Six Messiahs by Mark Frost, who co-created Twin Peaks with David Lynch. All three are big fun!
 

H.P. Lovecraft’s The Haunter of the Dark and Other Grotesque Visions by John Coulthart, introduction by Alan Moore. Creation Oneiros 2006, graphic novel.

   Some gorgeously alien and outré imagery here: outstandingly sinister black & white adaptations of both The Haunter of the Dark and The Call of Cthulhu (which was previously seen in the Starry Wisdom anthology), illustrations for The Dunwich Horror, along with a selection of other works including a qabalistic grimoire and Tree of Life of the Great Old Ones: a dozen plates accompanied by poetic Evocations created by the legendary Alan Moore. Slavering shoggoths, gambrel rooftops, bizarre cults and nightmare gates to non-Euclidean dimensions…


Courtney Crumrin and the Night Things
Courtney Crumrin and the Coven of Mystics
Courtney Crumrin in the Twilight Kingdom
By Ted Naifeh, Oni Press, 2002, 2003, 2004, graphic novel compilations.

   I love these stories. Courtney Crumrin is younger, cuter, darker and perhaps funnier than Harry Potter, and free of his adolescent doubts and pesky morality. Like the traditional witches of fairy tales, she takes her issues completely personally and you do not want to mess with her. She inhabits a gothic/yuppie landscape, an upscale township founded by a cabal of colonial witches, with a haunted forest and a schoolyard of snots. You could call them Young Adult books, but they are fairly dark and very clever. They strike me as one of those rare perfect mergings of art and storytelling.  


            Sinema


   A few quick notes on some magical films:

   Pan’s Labyrinth, written & directed by Guillermo del Toro, was a great and powerful and very dark fairy tale that I really admired, very well performed and often genuinely bizarre, while at other times strangely beautiful. I found myself almost accepting the special effects as actual entities, daemonic perhaps but with the feel of genuine consciousness and emotion: the strange and desperate and sorrowful satyr of the title, the screaming mandrake root under the bed, the toad-like entity (Clark Ashton Smith’s Tsathoggua?) and other forces of melancholy evil which could never match the true horrors of the tale: human beings, and the things they do to one another, as seen through the eyes of a doomed child.


   Two other recent flicks also impressed me with the strides that new technology has made in bringing the dreams of poets and artists to life, straight from the mind to the screen. Author Neil Gaiman’s fabulous collaboration Mirrormask overflows with magick and creativity and the amazing art and designs of director Dave McKean, filling every inch of the screen with encoded meaning in a unique universe which looked to me suspiciously like the next giant step in the evolution of animation as alternate reality. Another classic story of a young girl caught up in the otherworld, an initiation into true strangeness. Like pagan god-forms, folk and faery tale themes grow directly from the deepest shadows of the collective archetypes of humanity, so beautiful and so dangerous…


   The Fountain interweaves three tragic incarnations of an eternal couple (quite movingly portrayed by Hugh Jackman and Rachel Weisz) in a romance spanning the past, present and future: a Spanish Queen pursued by the Inquisition and a conquistador fallen among Aztecs, a 20th century medical researcher and his dying wife, and a final pair in an alchemical hieros gamos, continuing their quest for immortality in a far future that successfully merges science fiction and psychedelia with various versions and visions of the Tree of Life and the qabalistic obsessions of director Darren Aronofsky  (the creator of ‘Pi’). Non-linear and very abstract, or at other times harshly grounded in the material world, almost every frame is visually stunning, and while the emotions of the middle section are often quite raw their final apotheosis is cosmic. None of these films look like anything else ever made.


   Not to leave you with the false impression that I only review things I like, I will admit to being seriously disappointed with The Number 23. A slow start, then a middle section of fairly stylish descent into a sort of vaguely lovecraftian 23-induced madness and hallucinations, which I actually quite enjoyed for awhile, but then a flat-out crappy ending. The visual look was pretty good, but of course bad movies these days are seldom the fault of the art/design staff. I despise rational explanations, especially ones that don't make much sense anyway. A waste of talent, though I thought Jim Carrey disappeared into the role fairly well (in other words I did not keep thinking Ace Ventura). I had hopes, but really a B-movie rental.

    I had actually been having fun going out to the movies more than usual lately, saw Pan's Labyrinth and The Fountain and really liked them both, then nice clean new prints of Jodorowsky's esoteric classics El Topo and The Holy Mountain, which made big impressions on me in the 1970s. This was a reminder of why I so seldom blow $9 for 2 hours in a chair with a built-in latte holder in the arm.



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Review by Papa Nick

FIRE SNAKE RISING

A book review by Papa Nick

MAGIA SEXUALIS: Sex, Magic, and Liberation in Modern Western Esotericism by Hugh B. Urban, University of California Press, 2006
In this, the first decade of the 21st Century, Magick is emerging from the shadows and taking its place in the Sun.  Serious scholarly works on the societal impact of occult practices are now being published by respected University presses.  Even if some of our personal magical workings fail to achieve measurable changes in the "real world", our collective influence on society as Magicians has been felt, and feeds the fire of liberation.  Perhaps the most obvious example of this is how the evolution of Western sex magic in the last 150 years has been mirrored by the unfettering of personal expression, not only in the areas of gender roles and sexual practices, but also in art, music, writing, theatre, cinema, and the general feeling of the wo-man on the street that the forces of Control have no right to impose their draconian standards on the individual.  The cat has been let out of the bag, the genie has escaped from the bottle, and all the king's men can't get them back in there.
Urban, an Associate Professor of Religious Studies at Ohio State University, has looked at the history of sex magic dating from the mid-1800s to the present day and makes the case for its being, far from a throwback to the imagined witches' orgies of the Middle Ages, a reflection of, and in some cases inspiration for, the emergence of personal empowerment in the Modern era.
Magia Sexualis is not an instructional guide to sex magic, despite the fact that Urban borrowed the title from a manuscript by that name written in the mid-1800s by Pascal Beverly Randolph -- a hugely influential, though still largely underappreciated, figure in the birthing of Western sexual magic.  The focus here is how Hindu and Buddhist Tantric methods of utilizing sexual energy for practical magic became melded with the Western traditions of Kaballah and Hermeticism to create what we now know as sex magic.  The chapters are in a more-or-less chronological order, starting with the pioneer Randolph and progressing to Theodor Reuss, Aleister Crowley, Julius Evola, Gerald Gardner, Starhawk and other feminist Wiccans, Anton LaVey, and Chaos Magicians such as Peter Carroll.   Nema receives an all-too-brief mention in the chapter "Sexual Chaos".
Reportedly Randolph only published 60 copies of Magia Sexualis during his lifetime, yet its impact on later esoteric groups was immense.  There is evidence that Carl Kellner, the spiritual father of Ordo Templi Orientis, was exposed to his teachings through association with an offshoot of the Hermetic Brotherhood of Luxor, the secret teachings of which were lifted part and parcel from Randolph's writings.  In addition to developing his science of sexual magic (which he called Affectional Alchemy), Randolph was an outspoken abolitionist and championed the cause of women's rights.  Like later exponents of the secrets of sex magic, Randolph's public face was that of a progressive social reformer.  Randolph's system was, despite being a radical departure from church-bound religious worship, rather conventional in that it was only to be engaged in by husand and wife. It would be for later developers of Western sex magic to introduce the element of transgression as the key to Liberation.
The chapter "The Yoga of Sex" traces the introduction of Tantra to the West in the 1800s, and credits Theodor Reuss,  the "primary architect" of the OTO, as having made sexual rites the central focus of that Order.  Reuss viewed Tantra as basically a "cult of the Phallus", so it is not surprising that successors like Crowley had a phallocentric focus.  It should be noted that this is something early Western Tantrics didn't invent: the rites of the Shakta Tantrikas are designed so that the male is the main beneficiary, and the same can be said of Taoist dual cultivation in the yoga of inner alchemy: on the surface they seem almost vampiristic.  Women in these rites are viewed as sources of power and little more.  Reuss viewed semen as the key to magical power, and women as non-essential, so it follows that homosexual sex magic might not have been an innovation born of Crowley's personal proclivities, but could have been a part of the teaching of the higher grades of the Order from the earliest days, in theory if not in practice.
In a larger context, Reuss had an Utopian vision for society that went much further than Randolph's calls for racial and sexual equality: Reuss promoted the creation of a new civilization based on sexual freedom with "gnostic Templar-Christians" at the helm. Included in his larger program were the elimination of private property, forced labor,  and even eugenics.  Reading this chapter put one thing in perspective for me: Crowley's seemingly harsh social program, as codified in Liber OZ, was far from his invention or based on the more severe verses in the second and third chapters of Liber AL; it was a part of the OTO agenda (at least Reuss's) from the start. 
Not surprisingly, Crowley looms large in Urban's book.  "The Beast with Two Backs" chapter credits Crowley with pushing the limits and unfolding the possibility of using sexual energy, the source of magical power, in any and all forms -- pick a chapter from "Psychopathia Sexualis."  His knowledge of Tantra was probably rudimentary and colored by the biases of his time, but like Tantric mystics, he believed in using the flesh and the senses as gateways to religious ecstasy, unlike the traditional mystics who hoped to gain Paradise by denial and mortification of the flesh.  It is Crowley's transgression of sexual and social taboos as a Path to spiritual enlightenment that made him the innovator he was.  Urban, like Professor Richard Kaczynski, gives this particular devil his due.  Urban writes: "... I will suggest that Crowley is a figure of far more interest than the hedonistic sex fiend portrayed by the popular media.  Indeed, he is a fascinating figure worthy of attention by scholars of religion and of profound importance for the understanding of modern society as a whole."  In fact, when we look at today's world and see the prevalence of all types of pornography, open expression of what were once considered deviate sexual lifestyles, the widespread use of drugs despite the best efforts of the law enforcement, and the general sense that government and religion do not have the right to govern individual behavior, it is as if we are seeing Crowley turned inside-out.  Not all of the Beast's magical workings to obtain money worked for him, but his overarching aim of the liberation of the human spirit was a success in many ways.
Like Reuss, Crowley was a "spermo-Gnostic", as Peter Koenig has said; for AC the role of Scarlet Woman was an office to which he appointed the woman with whom he was living at the time.  For Crowley, Scarlet Women were interchangeable; he is even quoted as saying that, at some point, "a dog will do."  This misogyny can be blamed on his upbringing in the Victorian era, but for a man whose goal was to break free from conditioning and tradition, he certainly failed in several areas.
But as society evolves, so does the magical current that feeds it.  The Wicca of Gerald Gardner was the next step in the evolution of sex magic, and it found a welcoming embrace in the 1960s, when the radical feminist movement found in Witchcraft's exaltation of the Goddess over the Horned God both spiritual inspiration and a justification for its reversal of traditional roles for women.  Whether or not Gardner's version of Witchcraft really was the continuation of a centuries-old Witch Cult that had survived underground in the New Forest, or was his own creation inspired largely by Crowley's writings, Witchcraft as a nature religion with a Goddess at its center struck a chord with many people, and the nudist, feminist and environmental movements in particular.
As Urban points out in this chapter, "The Goddess and the Great Rite",  Gardner's Wicca, although exalting the Feminine, in many ways reinforces traditional gender roles.  But as social acceptance of freedom of choice in sexual orientation has grown, so has Witchcraft.  There are now a number of covens that have developed their own traditions and have found a way to construct new models of Witchcraft for their lesbian, gay, trans-gendered and bi-sexual members.
There are two chapters I am skipping over in this review, not because they aren't interesting but because they focus on characters whose contributions to sex magic are tenuous at best and only serve to feed a reactionary mindset.  Those characters are the Italian fascist Julius Evola and the neo-Satanist Anton LaVey.   While both of them championed sexual freedom, the changes they sought do not serve to progress wo-mankind, only to isolate and fragment it.  LaVey's temples are back-alley bars and strip clubs, where lost souls gather in a pathetic, desperate attempt to find a human connection.  Evola's championing of "manliness" is only a whimpering testimony to his own lack of vitality, which had to be satiated by dreams of domination.
The final chapter, "Sexual Chaos", brings us to the present day in Urban's study of the eruption of the Fire Snake from the Modern to the Postmodern eras.  Sex magic, he writes, "... is ultimately tied to a profound desire for liberation, transgression, and radical freedom on all levels -- sexual, social, political and religious alike."  Chaos Magic is about stretching and rupturing all boundaries, the 8-pointed Arrow shooting Out from separate existence into the womb of infinite Space.  Rather than the Utopian dreams of earlier sex magicians, Chaotes acknowledge that the vessel of civilization is already broken, it's too late for it to be glued back together, it is too fragmented for consensus.  It is only by reaching back to ancient atavisms and reaching out to as-yet-unrealized possibilities that we can create a present that is moving with the wave of evolution.
As Urban points out in this chapter, sex magic and Magick in general are no longer occult or hidden.  Anyone with a few dollars for a trade paperback or a good internet connection can find all the information they need to choose their own practices within the framework they choose.  Even Chaos Magick, so popular in the 1980s, has deconstructed itself.  The day when one had to seek out admission to an esoteric order and go through a long, tortuous and sometimes expensive series of initiations to gain wisdom and enlightenment is over.  There is no longer a need for hierarchies or orders, but that doesn't mean that one must tread an alternative spiritual path alone.   It is only necessary to find a few friends of like mind and spirit to do the Work in tandem.  These cells or tribes or whatever you want to call them, will naturally coalesce by attraction and spread the meme of enlightenment.  Now, more than any time in human history, the Law is for All.