POPULAR OCCULTURE
Reviews
Editor's note: This
will
be a regular feature in Silver Star Journal. Any and all readers are
encouraged
to submit reviews that they feel pertain to the magickal community. We
also actively seek publications of all kinds for review in this space.
Send
submissions (or requests for a snailmail address for review books and
mags) to:
aion@psychicsophia.com
In this Issue we have reviews by:
Reviews by Shade Oroboros
TSOG: The Thing That Ate The
Constitution by Robert Anton Wilson, New Falcon 2002, 216 pages,
illustrated.
Robert Anton Wilson Explains
Everything, Sounds True 2001, 6 hours on 5 CDs.
The book is
clearly a collection of political website postings, as were a couple of
his later works when his health problems slowed him down. The CDs are
live lectures and conversations that show his vast humor, range of
interests and style. They are of course great, but that’s not the
point, he was always great… the point is that Bob has passed on, and
I’ll miss the hell out of him. Author, futurist, magician, playwright,
social philosopher, stand-up comic and all-around great soul, RAW was
one of the great voices of our time and he genuinely touched millions
of lives. His best sellers include the classic trilogies Illuminatus!
(written with Robert Shea), Schrodinger’s Cat, Historical Illuminatus
and Cosmic Trigger 1, 2 & 3, along with dozens of other
wide-ranging works both factual and fictional. They inspired me every
time, kicked up my rate of synchronicities and changed my life for the
better. I am happy to say I got to hang out with him a few times, and
he really was a very nice guy (and one who liked to party). I cannot
even begin to count how many people of all types and ages I have met
over the years who were somehow familiar with him, enthusiastic about
his writing and positive visions of the future, and often sharing his
moral outrage against idiocy and injustice. One way or another, he has
earned both his many awards and his immortality.
A Brief Hirstory of Time/emiT fo
yrotsriH feirB A: An Arachnean Grimmoire of Time and Fate by Orryelle
Defenestrate-Bascule et al. iNSPiRALink Multimedia Press 2006. 164
pages, illustrated, color insert.
Our good friend
and contributor Orryelle is a wild musician, creative magician, world
traveler, painter, sculptor and skin artist deeply involved with
experimental theater and various arcane orders. This new edition of his
remarkable book collects and interweaves artworks and texts, truths and
speculations about the nature of time and reality and magick, the Norns
and Fates, spiders and sphinxes, runes and ravens, tantrik practice and
tarot images, shamanism and science and sexuality, the mysteries of the
Double Current, Hindu, Greek, Norse, Egyptian, Vodou and other
mythologies, all merged into a multi-dimensional magical mélange
that (like the works of Kenneth Grant which he often references) is
almost impossible to describe but quite powerful to experience. The
2-hour DVD that accompanies the book presents several live
performances, which bring his mytho-poetic concepts into several other
dimensions. This is cutting-edge stuff.
His journal SilkMilk
has been previously reviewed in this column and his website is
http://www.crossroads.wild.net.au/index.html
Real Alchemy: A Primer of Practical
Alchemy by Robert Allen Bartlett, Quinquangle Press 2006, 211 pages,
illustrated, indexed, bibliography.
Real Alchemy
from a real alchemist, trained both academically and at the famous
Paracelsus Research Society by Frater Albertus, with a career as an
industrial and analytic chemist. Opening with a lucid overview of the
elegant alchemical cosmology, he proceeds to explain what the purveyors
of the psychological school of alchemical interpretation are missing:
the actual processes of creating plant medicines and mineral
transformations, as the enlightened individual can practice them safely
at home. Medieval experiments may have had their hazards, their
fires and fumes; the newer technology of modern science has made things
considerably easier than they were back when puffers were still blowing
up apprentices. The author explores and explains many of the classical
authorities, and while he does not slight the mystical or psychological
aspects he does bring the emphasis back where it belongs, to genuine
alchemical practice: How To Do It! I’ve actually seen this scholar’s
labs and the results of his lifetime of work, and I for one am
seriously impressed.
The Secret Symbols of the Dollar
Bill: A Closer Look at the Hidden Magic and Meaning of the Money You
Use Every Day by David Ovason, HarperCollins 2004, 192 pages, profusely
illustrated and footnoted.
Did you know
that the $ sign was drawn from the biblical tale of Moses and the
brazen serpent, via the alchemical healing sigil of a crucified snake
and the iconography of the god Hermes/Mercury? That our dollar bills
(and the Great Seal of the United States upon them) form a complex
occult network of astronomical lore and numerological alignments, based
on the constellation Lyra and numbers including 3, 7, 21, 13, 33 and
72? That they both were evolved out of the Classical, Christian,
Medieval and Egyptian symbolism beloved by our Freemasonic founding
fathers? That our motto ANNUIT COEPTIS is drawn from a pagan prayer to
Jupiter from Virgil’s Aeneid, and that his sacred bird the Eagle is a
symbol of the pentagram? That the Eye above the Pyramid may belong to
Horus? The history of this ongoing evolution is both amusing and
fascinating, and the implications of this talisman for money magicks
alone are astounding…
Enochian Initiation: A Thelemite’s
Magical Journey into the Ultimate Transcendence by Frater W.I.T.,
Outskirts Press 2006, 326 pages and bibliography.
The secret
records of genuine magi are always valuable. Prefaced by a well-written
introduction to qabalistic magick in the G.D./O.T.O. lodge-work
tradition and with extensive ritual material appended, this working
records the visions of journeys through two rounds of evocations of the
Enochian watchtowers. Crowley’s similar record The Vision & The
Voice is of course well known, and this seer wisely makes no attempt to
match him for poetry, but quite clearly and concisely presents his own
initiatory experiences, flow of insights and personal evolution as a
testimony to the potency of Thelema and to the transforming power of
the strange Angelic language of Dr. John Dee’s Enochian calls and the
strange universe they can unfold. Occult Science… “not just pretty
words”.
High Magic: Theory & Practice by
Frater U.’.D.’., Llewellyn 2005, 422 pages.
A very
thoughtful and substantial exploration of an eclectic modern system of
magical practices influenced by Crowley and the Golden Dawn, Spare and
Chaos Magick, and some lesser-known but important German sources.
Includes clear and concise exercises and information on history and
tools, beliefs and techniques including the development of the magical
gaze. The author is well known as an influential early member of the
I.O.T. and for his Secrets of Sex Magick, which is also excellent. I
was fairly impressed, but I still want to see his rumored revelations
of Ice Magick… inquiring minds want to know.
Religion and Magic in Ancient Egypt
by Rosalie David, Penguin Books 2002, 488 pages, illustrated, glossary,
indexed, bibliography.
This book is a
vast and entertaining treasure house of information with a selection of
key texts, presented chronologically through the entire history and
evolution of the pagan Egyptian civilization from prehistoric times up
through the Graeco-Roman period. A major work by a major authority,
full of insights and little-known details about the evolution of divine
cosmology and ritual practice. Very highly recommended!
Eros on the Nile by Karol Mysliwiec,
Duckworth & Co. 2004, 180 pages, illustrated, indexed, bibliography.
I am obsessed
with Egypt, and as my library has grown I have often enjoyed the
translations of international scholars, German and French or as in this
case from Poland: everyone has teams working in Egypt, so the sources
from other languages often seem to bring up different details and
perspectives. Here we focus on the sexual aspects of human and divine
life including the theologies of the major gods, the cults of Osiris
and the Apis bulls, the magical and royal powers and the daily life of
the people. The Gods of Khem are complex and multifaceted, and the more
ways you find to discover them, the more they come alive.
Essential Asatru: Walking the Path
of Norse Paganism by Diana L. Paxson, foreword by Isaac Bonewits,
Citadel Press 2006, 204 pages, organization contacts, bibliography.
An excellent
beginner’s guide to Northern European legend, culture and lore by the
noted fantasy novelist and author of Taking Up The Runes. Beginning
with a concise and scholarly history of the origins and spread of the
Germanic peoples, proceeding to an account of their gods and customs
and magicks, outlining religious ritual in both ancient and modern
forms, explaining the various retro-heathen Asatru groups, their core
values and issues, their parallels to and differences from other
neo-pagan traditions including Wicca, and ending with a guide to
further study and the various organizations of modern times. One of the
significant differences between the Norse and Celtic revivalists is
that the Norse generally have a stronger emphasis on accurate cultural
information and a firm basis in the surviving texts of the Poetic &
Prose Eddas and the various folktales and sagas.
Hex and Spellwork: the Magical
Practices of the Pennsylvania Dutch by Karl Herr, Hexenmeister. Weiser
Books 2002, 144 pages, illustrated.
Actually the
plain folk are mostly German, and maintain traditions of very Christian
folk magick and healing along with their best-known custom, the
colorful Hex signs that decorate homes and barns. This is a simple and
heartfelt introduction by a third-generation hexenmeister who discusses
the power of prayer, verbal folk charms and herbal medicines,
himmelbriefs (talismanic ‘letters to heaven’) and other practices,
along with sincere and practical advice on life. A rare window into a
surviving European form of spiritual working.
Grimoire Dehara: Kaimana by Storm
Constantine, Immanion Press 2005, 186 pages, illustrated, with a
much-needed glossary.
Based on the
popular Wraeththu series, presenting a fully realized mystical
universe, a sacred calendar and even menus for feasts, along with a
sigil system and arcane rituals devoted to a strange and vivid pantheon
of androgynous hermaphrodite deities (hence largely non-dualistic). Can
fantasy novels and role-playing games spawn magical systems as valid as
any others? Chaos magick would certainly imply so. I may have some
doubts about pagan gods who are created instead of “jest grew” yet all
such spiritual concepts must ultimately first manifest in the mind of
some individual, in this case a magical practitioner who clearly knows
her stuff and has worked with her creations until they came alive. And
any grimoire requiring chocolate eggs and golden glitter must
inevitably appeal to me. Thoughtful, poetic and heartfelt, although
those unfamiliar with the six novels will need to master a new
vocabulary.
Satanism Today: An Encyclopedia of
Religion, Folklore and Popular Culture by James R. Lewis, ABC-CLIO,
Inc. 2001. 369 pages, illustrated, index, bibliography.
Most
modern magicians pay little attention to Satan, having opted out of the
limited Christian worldview in favor of the richness of Pagan or
Syncretistic or individual paradigms of their own. There is a tendency
to view Satanism as merely superstition, a neurotic obsession of
damaged people, or as an occasionally embarrassing minor fringe element
with almost no relevance to the occult revival. All this may be true
enough, but the Devil has had a very long history in western culture
and does still constantly turn up in, as the title says, Religion,
Folklore and Popular Culture. This is a very readable and concise
source of references to the many movements and cults and currents of
thought, the literature and film and often rather dreadful music that
are loosely related to our old friend the Original Rebel, including
evenhanded accounts of Crowley and Chaos Magick and the SRA (Satanic
Ritual Abuse) hysterical panic of the 1980s.
The Magical Universe: Everyday
Ritual and Magic in Pre-Modern Europe by Stephen Wilson, Hambledon and
London 2004, 546 pages, illustrated, notes, indexed,
bibliography.
I have not completely
read this book yet; it's way too damn big. But I grabbed one the
instant it came out, since like most university press books the print
run was probably pretty limited. Someday I will indeed find the time to
finish it, but for now I am happy to browse and skim and surf through
this astounding collection of history and beliefs related to people’s
daily lives in their homes and towns and farms, through many dangerous
travels, throughout the life-cycle from birth to death. There is much
lore of weather and livestock, omens and healing and fertility,
universal magical practices and secrets both Pagan and Christian, from
Roman times through the witch-trials and on to our decadent era.
Encyclopedic and fascinating!
The Arcanum by Thomas Wheeler,
Bantam Books 2005, 325 pages.
A ripping good
tale, an occult thriller, an imaginary secret history of the early
1900s. Sir Arthur Conan Doyle, escape artist Harry Houdini, Vodou Queen
Marie Laveau and a demented H.P. Lovecraft team up to battle a demonic
conspiracy involving the fallen angels of the Book of Enoch, the upper
and extremely lower crusts of New York society, encounters with
Aleister Crowley and A.E. Waite, spiritualists and satanic cultists,
various other celebrities of the time, and the obligatory climactic
cinematic battle atop a train speeding out of control. This is a first
novel from a career screenwriter and it reminds me of two other
somewhat similar and also very juicy tales, The List of Seven and The
Six Messiahs by Mark Frost, who co-created Twin Peaks with David Lynch.
All three are big fun!
H.P. Lovecraft’s The Haunter of the
Dark and Other Grotesque Visions by John Coulthart, introduction by
Alan Moore. Creation Oneiros 2006, graphic novel.
Some gorgeously
alien and outré imagery here: outstandingly sinister black &
white adaptations of both The Haunter of the Dark and The Call of
Cthulhu (which was previously seen in the Starry Wisdom anthology),
illustrations for The Dunwich Horror, along with a selection of other
works including a qabalistic grimoire and Tree of Life of the Great Old
Ones: a dozen plates accompanied by poetic Evocations created by the
legendary Alan Moore. Slavering shoggoths, gambrel rooftops, bizarre
cults and nightmare gates to non-Euclidean dimensions…
Courtney Crumrin and the Night Things
Courtney Crumrin and the Coven of
Mystics
Courtney Crumrin in the Twilight
Kingdom
By Ted Naifeh, Oni Press, 2002,
2003, 2004, graphic novel compilations.
I love these
stories. Courtney Crumrin is younger, cuter, darker and perhaps funnier
than Harry Potter, and free of his adolescent doubts and pesky
morality. Like the traditional witches of fairy tales, she takes her
issues completely personally and you do not want to mess with her. She
inhabits a gothic/yuppie landscape, an upscale township founded by a
cabal of colonial witches, with a haunted forest and a schoolyard of
snots. You could call them Young Adult books, but they are fairly dark
and very clever. They strike me as one of those rare perfect mergings
of art and storytelling.
Sinema
A few quick notes on
some magical films:
Pan’s Labyrinth,
written & directed by Guillermo del Toro, was a great and powerful
and very dark fairy tale that I really admired, very well performed and
often genuinely bizarre, while at other times strangely beautiful. I
found myself almost accepting the special effects as actual entities,
daemonic perhaps but with the feel of genuine consciousness and
emotion: the strange and desperate and sorrowful satyr of the title,
the screaming mandrake root under the bed, the toad-like entity (Clark
Ashton Smith’s Tsathoggua?) and other forces of melancholy evil which
could never match the true horrors of the tale: human beings, and the
things they do to one another, as seen through the eyes of a doomed
child.
Two other recent flicks
also impressed me with the strides that new technology has made in
bringing the dreams of poets and artists to life, straight from the
mind to the screen. Author Neil Gaiman’s fabulous collaboration Mirrormask
overflows with magick and creativity and the amazing art and designs of
director Dave McKean, filling every inch of the screen with encoded
meaning in a unique universe which looked to me suspiciously like the
next giant step in the evolution of animation as alternate reality.
Another classic story of a young girl caught up in the otherworld, an
initiation into true strangeness. Like pagan god-forms, folk and faery
tale themes grow directly from the deepest shadows of the collective
archetypes of humanity, so beautiful and so dangerous…
The Fountain
interweaves three tragic incarnations of an eternal couple (quite
movingly portrayed by Hugh Jackman and Rachel Weisz) in a romance
spanning the past, present and future: a Spanish Queen pursued by the
Inquisition and a conquistador fallen among Aztecs, a 20th century
medical researcher and his dying wife, and a final pair in an
alchemical hieros gamos, continuing their quest for immortality in a
far future that successfully merges science fiction and psychedelia
with various versions and visions of the Tree of Life and the
qabalistic obsessions of director Darren Aronofsky (the creator
of ‘Pi’). Non-linear and very abstract, or at other times harshly
grounded in the material world, almost every frame is visually
stunning, and while the emotions of the middle section are often quite
raw their final apotheosis is cosmic. None of these films look like
anything else ever made.
Not to leave you with
the false impression that I only review things I like, I will admit to
being seriously disappointed with The Number 23. A slow
start, then a middle section of fairly stylish descent into a sort of
vaguely lovecraftian 23-induced madness and hallucinations, which I
actually quite enjoyed for awhile, but then a flat-out crappy ending.
The visual look was pretty good, but of course bad movies these days
are seldom the fault of the art/design staff. I despise rational
explanations, especially ones that don't make much sense anyway. A
waste of talent, though I thought Jim Carrey disappeared into the role
fairly well (in other words I did not keep thinking Ace Ventura). I had
hopes, but really a B-movie rental.
I had actually
been having fun going out to the movies more than usual lately, saw
Pan's Labyrinth and The Fountain and really liked them both, then nice
clean new prints of Jodorowsky's esoteric classics El Topo and
The Holy Mountain, which made big impressions on me in the 1970s.
This was a reminder of why I so seldom blow $9 for 2 hours in a chair
with a built-in latte holder in the arm.
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Review by Papa Nick
FIRE
SNAKE RISING
A book
review by Papa Nick
MAGIA
SEXUALIS: Sex, Magic, and Liberation in Modern Western Esotericism by
Hugh B. Urban, University of California Press, 2006
In
this, the first decade of the 21st Century, Magick is emerging from the
shadows and taking its place in the Sun. Serious scholarly works
on the societal impact of occult practices are now being published by
respected University presses. Even if some of our personal
magical workings fail to achieve measurable changes in the "real
world", our collective influence on society as Magicians has been felt,
and feeds the fire of liberation. Perhaps the most obvious
example of this is how the evolution of Western sex magic in the last
150 years has been mirrored by the unfettering of personal expression,
not only in the areas of gender roles and sexual practices, but also in
art, music, writing, theatre, cinema, and the general feeling of the
wo-man on the street that the forces of Control have no right to impose
their draconian standards on the individual. The cat has been let
out of the bag, the genie has escaped from the bottle, and all the
king's men can't get them back in there.
Urban,
an Associate Professor of Religious Studies at Ohio State University,
has looked at the history of sex magic dating from the mid-1800s to the
present day and makes the case for its being, far from a throwback to
the imagined witches' orgies of the Middle Ages, a reflection of, and
in some cases inspiration for, the emergence of personal empowerment in
the Modern era.
Magia
Sexualis is not an instructional guide to sex magic, despite the fact
that Urban borrowed the title from a manuscript by that name written in
the mid-1800s by Pascal Beverly Randolph -- a hugely influential,
though still largely underappreciated, figure in the birthing of
Western sexual magic. The focus here is how Hindu and Buddhist
Tantric methods of utilizing sexual energy for practical magic became
melded with the Western traditions of Kaballah and Hermeticism to
create what we now know as sex magic. The chapters are in a
more-or-less chronological order, starting with the pioneer Randolph
and progressing to Theodor Reuss, Aleister Crowley, Julius Evola,
Gerald Gardner, Starhawk and other feminist Wiccans, Anton LaVey, and
Chaos Magicians such as Peter Carroll. Nema receives an
all-too-brief mention in the chapter "Sexual Chaos".
Reportedly
Randolph only published 60 copies of Magia Sexualis during his
lifetime, yet its impact on later esoteric groups was immense.
There is evidence that Carl Kellner, the spiritual father of Ordo
Templi Orientis, was exposed to his teachings through association with
an offshoot of the Hermetic Brotherhood of Luxor, the secret teachings
of which were lifted part and parcel from Randolph's writings. In
addition to developing his science of sexual magic (which he called
Affectional Alchemy), Randolph was an outspoken abolitionist and
championed the cause of women's rights. Like later exponents of
the secrets of sex magic, Randolph's public face was that of a
progressive social reformer. Randolph's system was, despite being
a radical departure from church-bound religious worship, rather
conventional in that it was only to be engaged in by husand and wife.
It would be for later developers of Western sex magic to introduce the
element of transgression as the key to Liberation.
The
chapter "The Yoga of Sex" traces the introduction of Tantra to the West
in the 1800s, and credits Theodor Reuss, the "primary architect"
of the OTO, as having made sexual rites the central focus of that
Order. Reuss viewed Tantra as basically a "cult of the Phallus",
so it is not surprising that successors like Crowley had a
phallocentric focus. It should be noted that this is something
early Western Tantrics didn't invent: the rites of the Shakta Tantrikas
are designed so that the male is the main beneficiary, and the same can
be said of Taoist dual cultivation in the yoga of inner alchemy: on the
surface they seem almost vampiristic. Women in these rites are
viewed as sources of power and little more. Reuss viewed semen as
the key to magical power, and women as non-essential, so it follows
that homosexual sex magic might not have been an innovation born of
Crowley's personal proclivities, but could have been a part of the
teaching of the higher grades of the Order from the earliest days, in
theory if not in practice.
In a
larger context, Reuss had an Utopian vision for society that went much
further than Randolph's calls for racial and sexual equality: Reuss
promoted the creation of a new civilization based on sexual freedom
with "gnostic Templar-Christians" at the helm. Included in his larger
program were the elimination of private property, forced labor,
and even eugenics. Reading this chapter put one thing in
perspective for me: Crowley's seemingly harsh social program, as
codified in Liber OZ, was far from his invention or based on the more
severe verses in the second and third chapters of Liber AL; it was a
part of the OTO agenda (at least Reuss's) from the start.
Not
surprisingly, Crowley looms large in Urban's book. "The Beast
with Two Backs" chapter credits Crowley with pushing the limits and
unfolding the possibility of using sexual energy, the source of magical
power, in any and all forms -- pick a chapter from "Psychopathia
Sexualis." His knowledge of Tantra was probably rudimentary and
colored by the biases of his time, but like Tantric mystics, he
believed in using the flesh and the senses as gateways to religious
ecstasy, unlike the traditional mystics who hoped to gain Paradise by
denial and mortification of the flesh. It is Crowley's
transgression of sexual and social taboos as a Path to spiritual
enlightenment that made him the innovator he was. Urban, like
Professor Richard Kaczynski, gives this particular devil his due.
Urban writes: "... I will suggest that Crowley is a figure of far more
interest than the hedonistic sex fiend portrayed by the popular
media. Indeed, he is a fascinating figure worthy of attention by
scholars of religion and of profound importance for the understanding
of modern society as a whole." In fact, when we look at today's
world and see the prevalence of all types of pornography, open
expression of what were once considered deviate sexual lifestyles, the
widespread use of drugs despite the best efforts of the law
enforcement, and the general sense that government and religion do not
have the right to govern individual behavior, it is as if we are seeing
Crowley turned inside-out. Not all of the Beast's magical
workings to obtain money worked for him, but his overarching aim of the
liberation of the human spirit was a success in many ways.
Like
Reuss, Crowley was a "spermo-Gnostic", as Peter Koenig has said; for AC
the role of Scarlet Woman was an office to which he appointed the woman
with whom he was living at the time. For Crowley, Scarlet Women
were interchangeable; he is even quoted as saying that, at some point,
"a dog will do." This misogyny can be blamed on his upbringing in
the Victorian era, but for a man whose goal was to break free from
conditioning and tradition, he certainly failed in several areas.
But as
society evolves, so does the magical current that feeds it. The
Wicca of Gerald Gardner was the next step in the evolution of sex
magic, and it found a welcoming embrace in the 1960s, when the radical
feminist movement found in Witchcraft's exaltation of the Goddess over
the Horned God both spiritual inspiration and a justification for its
reversal of traditional roles for women. Whether or not Gardner's
version of Witchcraft really was the continuation of a centuries-old
Witch Cult that had survived underground in the New Forest, or was his
own creation inspired largely by Crowley's writings, Witchcraft as a
nature religion with a Goddess at its center struck a chord with many
people, and the nudist, feminist and environmental movements in
particular.
As
Urban points out in this chapter, "The Goddess and the Great
Rite", Gardner's Wicca, although exalting the Feminine, in many
ways reinforces traditional gender roles. But as social
acceptance of freedom of choice in sexual orientation has grown, so has
Witchcraft. There are now a number of covens that have developed
their own traditions and have found a way to construct new models of
Witchcraft for their lesbian, gay, trans-gendered and bi-sexual members.
There
are two chapters I am skipping over in this review, not because they
aren't interesting but because they focus on characters whose
contributions to sex magic are tenuous at best and only serve to feed a
reactionary mindset. Those characters are the Italian fascist
Julius Evola and the neo-Satanist Anton LaVey. While both
of them championed sexual freedom, the changes they sought do not serve
to progress wo-mankind, only to isolate and fragment it. LaVey's
temples are back-alley bars and strip clubs, where lost souls gather in
a pathetic, desperate attempt to find a human connection. Evola's
championing of "manliness" is only a whimpering testimony to his own
lack of vitality, which had to be satiated by dreams of domination.
The
final chapter, "Sexual Chaos", brings us to the present day in Urban's
study of the eruption of the Fire Snake from the Modern to the
Postmodern eras. Sex magic, he writes, "... is ultimately tied to
a profound desire for liberation, transgression, and radical freedom on
all levels -- sexual, social, political and religious alike."
Chaos Magic is about stretching and rupturing all boundaries, the
8-pointed Arrow shooting Out from separate existence into the womb of
infinite Space. Rather than the Utopian dreams of earlier sex
magicians, Chaotes acknowledge that the vessel of civilization is
already broken, it's too late for it to be glued back together, it is
too fragmented for consensus. It is only by reaching back to
ancient atavisms and reaching out to as-yet-unrealized possibilities
that we can create a present that is moving with the wave of evolution.
As
Urban points out in this chapter, sex magic and Magick in general are
no longer occult or hidden. Anyone with a few dollars for a trade
paperback or a good internet connection can find all the information
they need to choose their own practices within the framework they
choose. Even Chaos Magick, so popular in the 1980s, has
deconstructed itself. The day when one had to seek out admission
to an esoteric order and go through a long, tortuous and sometimes
expensive series of initiations to gain wisdom and enlightenment is
over. There is no longer a need for hierarchies or orders, but
that doesn't mean that one must tread an alternative spiritual path
alone. It is only necessary to find a few friends of like
mind and spirit to do the Work in tandem. These cells or tribes
or whatever you want to call them, will naturally coalesce by
attraction and spread the meme of enlightenment. Now, more than
any time in human history, the Law is for All.